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It’s so universal and global, to a certain extent, that it sort of exists outside of the specific parameters of Christianity,” Corbo says of the iconography used on the record. “I think to a certain extent, that stuff is just so in your face all the time.
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What he is more interested in are the universal themes of good versus evil found in Christianity, horror films, fantasy, and even in games like Magic: The Gathering. While there are allusions to the afterlife in the project’s name and many of the lyrics on the album, Corbo does not necessarily consider himself a religious or spiritual person in any regard. I just think that somebody else could probably do it better, because I like what I do, I like the recordings that I come up with, but they’re definitely not as good as somebody who’s super dedicated to audio engineering.” I knew in the beginning that I didn’t want to record it myself, although I do like recording music myself. I spent a really, really, really long time arranging this whole project on the computer.
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I’m just gonna go crazy here and do everything myself and really arrange it very specifically the way that I want to. Not ‘everything,’ everything, but definitely, you know, the rock band instruments,” says Corbo with a laugh, recalling his plan to resurrect this project like a man called by a deity to build a cathedral.
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Guitars in Peekskill, New York, Corbo was able to have full control over his new project’s sonic vocabulary. Playing nearly all of the instruments himself during two different recording sessions in Brooklyn’s Studio G, and then in a personalized setup at a space above Division St. After writing most of his new material in a drop-C tuning that would allow for a heavy and melodic backdrop for this batch of songs, he felt he was getting closer to bridging that divide.Īfter working tirelessly on the material that would end up on Heaven’s Just a Cloud, Corbo’s old LVL UP bandmate Benton-who now releases music with his project Trace Mountains-suggested that he recorded with engineer Matt Labozza, who in the past has recorded artists such as Palm and Big Neck Police, and was even nominated for a Grammy for his work with Pretty Lights. Separating the camps was something that was always head-scratching for Corbo. I think anybody who’s familiar with those albums and listens to my songs, you know, probably draw that conclusion.”ĭiscussing the different ways we attribute heaviness to music, we both come to the conclusion that there are more similarities to genres like doom metal and folk murder ballads than we give them credit for. “You see somebody like Phil, of course, who’s sort of dabbling in all of those heavy-duty albums of his that are ambient heaviness I was hugely inspired by. People have done that for so long, I love exploring all the different parts of that spectrum,” says Corbo about the exciting prospects of delving into the dark depths of this new project. Heaviness is sort of like a flavor to itself that you can kind of add to whatever you want. It was on that third album where Corbo penned the song “Spirit Was” that would go on to act as his solo moniker. That band revolved around a three-headed Ghidorah songwriting approach, with guitarists Mike Caridi and Dave Benton, and Corbo-who played bass-all contributing equally to each of their records. After three critically acclaimed albums-with their final album Return to Love being released on Sub Pop-the band toured relentlessly until they decided to amicably go their separate ways. While at Purchase, Corbo worked on his own folkier solo material until he joined up with a group of friends who would go on to form the beloved and sorely missed indie-rock band LVL UP. But where I grew up, I needed to get out there and I needed to be surrounded by more creative people.” “Say what you will about higher education and the college experience. “I feel like I owe my whole life to Purchase,” Corbo recalls. Before having his mind blown by the fluid arts scene and inspiring musical landscape while studying music at SUNY Purchase, Corbo felt out of place, wanting more than the screamo and “problematic” tough-guy hardcore scenes he steered clear of growing up in Northern Connecticut.